Feral Monster is the story of unremarkable teen, Jax, as she/they/whatever navigates love, sexuality, identity, family and the many parts of her loud, opinionated brain.
Expelled from school and not even able to get a job at the chippy, Jax is a ‘cheeky, loveable teenage street rat’ living with her Nan in a ‘tiny, boring village’. Against a backdrop of neurons and axons singing in their head, Jax’s brain gives a running commentary on everything they do, don’t do or shouldn’t do. When Jax spots Ffion coming out of the chippy, with their unapologetically loud hair and clothes, sparks fly and queer teenage lust brings together this unlikely match in all its messy, clumsy and awesome glory.
Feral Monster celebrates all teenagers by choosing to spotlight the most mundane teenager in Jax. Anyone who’s ever been a teen will see themselves in this story, as writer Bethan Marlow’s script takes us from the high highs to low lows of the hormonal rollercoaster of adolescence. Alongside identity, sexuality and family, Feral Monster explores friendship, mental health, living in rural Wales, middle-class queerness versus working-class queerness, the impact of being abandoned by parents, and second chances.
Mashing up grime, R&B, soul, pop and rap, the musical’s soundtrack brings Bethan’s lyrics and characters to life. The music was collaboratively composed by Nicola T. Chang with director Izzy Rabey and actors across Wales during a research and development process. Nicola is an award-winning composer/sound designer for theatre and film, whose recent work includes acclaimed shows: For Black Boys Who Have Considered Suicide When the Hue Gets Too Heavy (Apollo Theatre West End / Royal Court Jerwood Downstairs / New Diorama) and My Neighbour Totoro (RSC / Barbican).