The Review
Dark Too Long is by far Bandicoot’s most powerful record yet, with what feels like a series of charmingly aggressive punches to the face. The way the four-piece manage to cram so much in to less than 4 minutes is proof of the bands dedication to their craft.
The song’s no-nonsense approach instantly introduces us to the hook, setting the scene for what’s to come. The song is powered by the simple yet driving bassline by Kieran Doe, giving the song an incredible amount of energy. The bass is nicely complimented by the relentless drums of Billy Stillman.
The flowing yet piercing vocals portray a magnitude of emotion, with the poetic hints of loneliness and despair pairing with the ever-building instrumental to reflect a monumental outburst, almost a cry for help. The intricate guitar work and solo’s from Tom Emlyn and the captivating melodies from the saxophone all combine to provide a multitude of exciting sections.
The quiet break in the middle provides you with a chance to catch a breath before the inevitable eruption at the end. The song climaxes with a chaotic crescendo, with the thunderous drums and the emotive back and forth screams of the rest of the band creating a perfect ending to this elaborate tune.
The Interview:
To find out more about how this song came to be, I caught up with frontman Rhys to discuss the process of writing such a piece, as well as signing to Libertino Records and moving to Cardiff.
Bandicoot’s new track ‘Dark Too Long is’ out now on Libertino Records